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Colour etching

By: Material type: TextTextPublication details: London; A and C Black; 2007Description: 128ISBN:
  • 9780713668209
Subject(s): DDC classification:
  • 767.2 OXL 23 9024
Contents:
Materials and studio Plate preparaion and wax grounds Without needles Etching The print Colour Multi-plate etching and printing Carborundum Photopolymer plates Editioning
Summary: In this book, Nigel Oxley describes fully the techniques of etching and aquatint employed by the artists who worked with him at Kelpra Studio where he established a reputation for using intaglio processes to create full colour images. Dame Elisabeth Frink, John Piper, John Hoyland, Jim Dine and Patrick Heron are illustrated within and the use of multi-plates is written with great detail. The author introduced the use of carborundum and polymer plates to the studio and the book includes step-by-step descriptions of these techniques. Having editioned for many years the author relates his experience of complex colour and plate combinations clearly enabling the reader to hav comprehensive insight to the work of the many artists illustrated within this book. This book is a valuable practical guide for the beginner and for those wishing to develop their printing and etching skills. For those interested in printmaking it provides a unique insight into the demands of a professional print.
Item type: Reference
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Item type Current library Collection Call number Status Barcode
Reference Marium Abdulla Library Reference Fine Arts 767.2 OXL (Browse shelf(Opens below)) Available 9024

Materials and studio
Plate preparaion and wax grounds
Without needles
Etching
The print
Colour
Multi-plate etching and printing
Carborundum
Photopolymer plates
Editioning

In this book, Nigel Oxley describes fully the techniques of etching and aquatint employed by the artists who worked with him at Kelpra Studio where he established a reputation for using intaglio processes to create full colour images. Dame Elisabeth Frink, John Piper, John Hoyland, Jim Dine and Patrick Heron are illustrated within and the use of multi-plates is written with great detail. The author introduced the use of carborundum and polymer plates to the studio and the book includes step-by-step descriptions of these techniques. Having editioned for many years the author relates his experience of complex colour and plate combinations clearly enabling the reader to hav comprehensive insight to the work of the many artists illustrated within this book. This book is a valuable practical guide for the beginner and for those wishing to develop their printing and etching skills. For those interested in printmaking it provides a unique insight into the demands of a professional print.

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