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Studio : Documents of Contemporary Art (Record no. 11029)

MARC details
000 -LEADER
fixed length control field	02205nam a2200253Ia 4500
001 - CONTROL NUMBER
control field	10374
003 - CONTROL NUMBER IDENTIFIER
control field	OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field	20260220132602.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field	211022s9999 xx 000 0 und d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number	9780262517614
040 ## - CATALOGING SOURCE
Transcribing agency	IVS
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number	702.8 HOF
Edition information	23
Item number	10374
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name	Hoffmann, Jens (Ed.)
245 #0 - TITLE STATEMENT
Title	Studio : Documents of Contemporary Art
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc.	London
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc.	MIT Press
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc.	2012
300 ## - PHYSICAL DESCRIPTION
Extent	238
520 ## - SUMMARY, ETC.
Summary, etc.	The evolution of studio—and “post-studio”—practice over the last half century. With the emergence of conceptual art in the mid-1960s, the traditional notion of the studio became at least partly obsolete. Other sites emerged for the generation of art, leading to the idea of “post-studio practice.” But the studio never went away; it was continually reinvented in response to new realities. This collection, expanding on current critical interest in issues of production and situation, looks at the evolution of studio—and “post-studio”—practice over the last half century. In recent decades many artists have turned their studios into offices from which they organize a multiplicity of operations and interactions. Others use the studio as a quasi-exhibition space, or work on a laptop computer—mobile, flexible, and ready to follow the next commission. Among the topics surveyed here are the changing portrayal and experience of the artist's role since 1960; the diversity of current studio and post-studio practice; the critical strategies of artists who have used the studio situation as the subject or point of origin for their work; the insights to be gained from archival studio projects; and the expanded field of production that arises from responding to new conditions in the world outside the studio. The essays and artists' statements in this volume explore these questions with a focus on examining the studio's transition from a workshop for physical production to a space with potential for multiple forms of creation and participation--Publisher's description
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element	Art and Design
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element	workshops (organizations)
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element	Artists' studios
Form subdivision	Facing the world
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type	Reference
Source of classification or shelving scheme	Dewey Decimal Classification
Suppress in OPAC	No

Holdings
Date last seen	Total checkouts	Full call number	Barcode	Price effective from	Koha item type	Lost status	Damaged status	Not for loan	Collection	Withdrawn status	Home library	Current library	Shelving location	Date acquired	Source of acquisition	Cost, normal purchase price
10/26/2021		702.8 HOF	10374	10/26/2021	Reference				Fine Arts		Marium Abdulla Library	Marium Abdulla Library	Reference	08/30/2012	Progressive International	2366.00

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Studio : Documents of Contemporary Art (Record no. 11029)