MARC details
000 -LEADER |
fixed length control field |
03234cam a2200385 i 4500 |
001 - CONTROL NUMBER |
control field |
21211 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
IVS |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20230829150940.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
190322s2019 enk b 001 0 eng c |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2019013264 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781474246460 |
Qualifying information |
(hardcover) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781474246477 |
Qualifying information |
(softcover) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781474246484 |
Qualifying information |
(pdf) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9781474246453 |
Qualifying information |
(ebook) |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
LBSOR/DLC |
Language of cataloging |
eng |
Transcribing agency |
LBSOR |
Description conventions |
rda |
Modifying agency |
DLC |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN2091.S6 |
Item number |
B46 2019 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
792.024 BEN |
Edition number |
23 |
Item number |
21211 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Bennett, Susan, |
Dates associated with a name |
1955- |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Theory for theatre studies : |
Remainder of title |
sound / |
Statement of responsibility, etc. |
Susan Bennett. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
London, UK ; |
-- |
New York, NY : |
Name of producer, publisher, distributor, manufacturer |
Methuen Drama , |
Date of production, publication, distribution, manufacture, or copyright notice |
2019. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xi, 151 pages ; |
Dimensions |
21 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
490 0# - SERIES STATEMENT |
Series statement |
Theory for theatre studies |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references (pages 132-141) and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Theatres in ancient Greece and Aristotle's poetics -- The vocal map of ancient Greek drama -- Case study : Aristophanes's The frogs -- Vitruvius on acoustics : de architectura -- Shakespeare's Globe and Francis Bacon's Sylva sylvarum -- Acoustic world-making on the early modern stage -- Case study : Shakespeare's The tempest -- A sonic imagination of early modern London -- New technologies for sound performance -- Case study : Luigi Russolo's Intonamuri and "the art of noise" -- Hanging on the telephone : Sigmund Freud and Roland Barthes -- Case study : Jean Cocteau's The human voice -- The sounds of silence : John Cage's Future of music -- Acousmatics and radiophonics : Pierre Schaffer and the BBC -- Aura and archive : making sound memories -- Case study : Samuel Beckett's Krapp's last tape -- Prosthetic performance and deterritorialised listening -- Case study : Janet Cardiff's Sound walks -- Listening to women : Andrea Hornick and Luce Irigaray -- Affective theatres of embodied sound -- Case study : Shannon Yee's "Reassembled slightly askew" -- Case study : Rimini Protokoll's Situation rooms -- Coda : sound across the world. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"Sound provides a lively and engaging overview of relevant critical theory for students and researchers in theatre and performance studies. Addressing sound across history and through progressive developments in relevant technologies, the volume opens up the study of theatrical production and live performance to understand conceptual and pragmatic concerns about the sonic. By way of developed case studies (including Aristophanes's The Frogs, Shakespeare's The Tempest, Cocteau's The Human Voice, and Rimini Protokoll's Situation Rooms), readers can explore new methodologies and approaches for their own work on sound as a performance component. In an engagement with the burgeoning interdisciplinary field of sound studies, this book samples exciting new thinking relevant to theatre and performance studies"-- |
Assigning source |
Provided by publisher. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Theaters |
General subdivision |
Sound effects. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Sound in literature. |
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
a |
7 |
b |
cbc |
c |
orignew |
d |
1 |
e |
ecip |
f |
20 |
g |
y-gencatlg |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Koha item type |
Book |