MARC details
000 -LEADER |
fixed length control field |
03675cam a2200409 i 4500 |
001 - CONTROL NUMBER |
control field |
22715758 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
IVS |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20231123112313.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
220722s2022 waua b 001 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2022015152 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780295750798 |
Qualifying information |
(hardcover) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780295750811 |
Qualifying information |
(paperback) |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
Canceled/invalid ISBN |
9780295750804 |
Qualifying information |
(ebook) |
040 ## - CATALOGING SOURCE |
Original cataloging agency |
DLC |
Language of cataloging |
eng |
Description conventions |
rda |
Transcribing agency |
DLC |
Modifying agency |
DLC |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
043 ## - GEOGRAPHIC AREA CODE |
Geographic area code |
a-pk--- |
050 00 - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
PN1993.5.P3 |
Item number |
D33 2022 |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
791.4309 DAD |
Edition number |
23/eng/20220722 |
Item number |
21338 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Dadi, Iftikhar, |
Relator term |
author. |
245 10 - TITLE STATEMENT |
Title |
Lahore cinema : |
Remainder of title |
between realism and fable / |
Statement of responsibility, etc. |
Iftikhar Dadi. |
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
Place of production, publication, distribution, manufacture |
Seattle : |
Name of producer, publisher, distributor, manufacturer |
University of Washington Press, |
Date of production, publication, distribution, manufacture, or copyright notice |
[2022] |
300 ## - PHYSICAL DESCRIPTION |
Extent |
xxi, 238 pages : |
Other physical details |
illustrations ; |
Dimensions |
24 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
490 0# - SERIES STATEMENT |
Series statement |
Global South Asia |
504 ## - BIBLIOGRAPHY, ETC. NOTE |
Bibliography, etc. note |
Includes bibliographical references and index. |
505 0# - FORMATTED CONTENTS NOTE |
Formatted contents note |
Introduction: The Lahore effect -- Between neorealism and humanism: Jago Hua Savera -- Lyric romanticism: Khurshid Anwar's Music and films -- Cinema and politics: Khalil Qaiser and Riaz Shahid -- The Zinda Bhaag Assemblage: reflexivity and form. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
"The post-Partition cinema produced between 1956 and 1969-the long '60s-in Lahore, Pakistan, drew promiscuously from Hindu mythology, Bengali performance traditions, Islamicate legends, Sufi conceptions of the self, Punjabi and Sindhi oral narratives, Parsi theater, Urdu lyric poetry, historical and social realism, Hollywood musicals, the psychological and sensorial stimulus of modernity, and more. Consideration of this rich field of influence offers insights into not only the decade that led to the overthrow of the Ayub Khan government, followed in 1971 by the loss of Bangladesh, but also into cultural affiliation in the fraught South Asian present, when frameworks of multiplicity and plurality are in jeopardy. Urdu-language films from Lahore made during this period reveal ways that cinematic form and narrative intersect with cultural memory and with the challenges of their time, characterized by trauma in the aftermath of Partition in 1947, a constricted socio-political horizon, and accelerating modernity. In Lahore Cinema Iftikhar Dadi probes the role of language, rhetoric, and lyric in the making of meaning, and the relevance of the Urdu cultural universe to the genesis of Bombay filmmaking. He argues that commercial cinema in South Asia is among the most powerful vectors of social and aesthetic modernization. It has provided affective and imaginative resources for its audiences to navigate an accelerating modernity and a fraught politics by anchoring social change across the terrain of deeper cultural imaginaries. And it has played an influential progressive role during the mid-twentieth century, by constituting publics beyond existing social divides, in forging a shared and expanded experience of modernity that extends beyond regional, ethnic, and sectarian affiliations, and in affectively challenging the selective amnesia of nation-state ideologies"-- |
Assigning source |
Provided by publisher. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures |
Geographic subdivision |
Pakistan |
General subdivision |
History |
Chronological subdivision |
20th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures |
Geographic subdivision |
Pakistan |
-- |
Lahore |
General subdivision |
History |
Chronological subdivision |
20th century. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Motion pictures |
Geographic subdivision |
Urdu-speaking countries. |
776 08 - ADDITIONAL PHYSICAL FORM ENTRY |
Relationship information |
Online version: |
Main entry heading |
Dadi, Iftikhar. |
Title |
Lahore cinema |
Place, publisher, and date of publication |
Seattle : University of Washington Press, [2022] |
International Standard Book Number |
9780295750804 |
Record control number |
(DLC) 2022015153 |
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
a |
7 |
b |
cbc |
c |
orignew |
d |
1 |
e |
ecip |
f |
20 |
g |
y-gencatlg |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Source of classification or shelving scheme |
|
Koha item type |
Book |