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The Artist's Guide to Perspective: by Janet Shearer

By: Material type: TextTextPublication details: London; New Holland Publishers; 2003Description: 80 p. : 9 x 0.75 x 11.25 inchesISBN:
  • 1843303450
Subject(s): DDC classification:
  • 701.82 SHE 23 17090
Summary: In order to draw or paint anything successfully, an artist needs a good understanding of perspective, but it is a subject that most people seem to find very confusing and challenging. In stark contrast to other books on the market, The Artist's Guide to Perspective demystifies this subject and explains it in a clear, accessible way. Before pencil is put to paper, a series of simple exercises, which purely involve 'looking', enables readers to discover the basic principles of perspective for themselves; observing and understanding. The book then builds on these fundamentals, clearly progressing through the chapters covering picture planes, vanishing points, and aerial perspective and foreshortening, culminating in how to produce a projection for a large piece of work. Sequences of colour photographs and clearly sketched diagrams accompany the exercises and information, so there is always a visual to back up the points being made. This book is for anyone who wants to draw or paint with the benefit of sound knowledge, method and consistency, in order to produce realistic, well thought-out work.
Item type: Book
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Item type Current library Collection Call number Status Barcode
Book Marium Abdulla Library Non-Ref Fine Arts 701.82 SHE (Browse shelf(Opens below)) Available 17090

In order to draw or paint anything successfully, an artist needs a good understanding of perspective, but it is a subject that most people seem to find very confusing and challenging. In stark contrast to other books on the market, The Artist's Guide to Perspective demystifies this subject and explains it in a clear, accessible way. Before pencil is put to paper, a series of simple exercises, which purely involve 'looking', enables readers to discover the basic principles of perspective for themselves; observing and understanding. The book then builds on these fundamentals, clearly progressing through the chapters covering picture planes, vanishing points, and aerial perspective and foreshortening, culminating in how to produce a projection for a large piece of work. Sequences of colour photographs and clearly sketched diagrams accompany the exercises and information, so there is always a visual to back up the points being made. This book is for anyone who wants to draw or paint with the benefit of sound knowledge, method and consistency, in order to produce realistic, well thought-out work.

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