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Islamic art in context : art, architecture, and the literary world / Robert Irwin.

By: Material type: TextTextSeries: Perspectives (Harry N. Abrams, Inc.)Publication details: Upper Saddle River, NJ : Prentice-Hall ; New York : H.N. Abrams, 1997.Description: 272 p. : ill. (some col.) ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 0135998123
  • 0810927101
  • 9780135998120
  • 9780810927100
Subject(s): DDC classification:
  • 704.948 IRW 21 13061
LOC classification:
  • N6260 .I75 1997
Summary: Among the greatest and least understood areas of art is that of the Islamic nations and peoples. Robert Irwin, an expert in the arts of Islam and a compelling writer, takes the reader deep into the cultures in which some of the world's most splendid art was created. Working thematically, he surveys the refined and exquisite arts of porcelain, enamel, manuscript illumination, metalwork, calligraphy, textiles - and more - within a larger picture of a powerful faith, a profound tradition and a magnificent history. Writing in a lively and engaging style, Irwin places this complex art in context. He pays close attention to patronage, to how works of art are used and displayed, to the traditions within the Islamic cultures of fine craftsmanship, and to the shifting relationship of art to religious practice and belief.
Item type: Book
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Item type Current library Collection Call number Status Barcode
Book Marium Abdulla Library Non-Ref Fine Arts 704.948 IRW (Browse shelf(Opens below)) Available 13061

Includes bibliographical references (p. 263-268) and index.

Among the greatest and least understood areas of art is that of the Islamic nations and peoples. Robert Irwin, an expert in the arts of Islam and a compelling writer, takes the reader deep into the cultures in which some of the world's most splendid art was created. Working thematically, he surveys the refined and exquisite arts of porcelain, enamel, manuscript illumination, metalwork, calligraphy, textiles - and more - within a larger picture of a powerful faith, a profound tradition and a magnificent history. Writing in a lively and engaging style, Irwin places this complex art in context. He pays close attention to patronage, to how works of art are used and displayed, to the traditions within the Islamic cultures of fine craftsmanship, and to the shifting relationship of art to religious practice and belief.

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