Welcome to Marium Abdulla Library

Embrace knowledge with a breath of fresh air.

Browse Collection

Marium Abdulla Library

Amazon cover image
Image from Amazon.com
Custom cover image
Custom cover image

Infinity Net: The Autobiography of Yayoi Kusama/ by Yayoi Kusama and translated by Ralph McCarthy.

By: Contributor(s): Material type: TextTextLanguage: English Original language: Japanese Publication details: London : Tate, Publishing 2017.Edition: Reprinted in 2017Description: 239 p. : ill. ; 25 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781849762137
Uniform titles:
  • Mugen no ami : Kusama Yayoi jiden. English.
Subject(s): Genre/Form: DDC classification:
  • 709.2 KUS 22 13564
LOC classification:
  • N6537.K878 A213 2011
Contents:
To New York: my debut as an avant-garde artist, 1957-1966 Before leaving home: awakening as an artist, 1929-1957 No more war: the queen of peace Avant-garde performance art for the people, 1967-1974 People I've known, people I've loved: Georgia O'Keeffe, Joseph Cornell, Donald Judd, Andy Warhol, and others Made in Japan: worldwide Kusamania, 1975-2002
Dissertation note: Includes bibliographical references and index. Summary: "Yayoi Kusama is one of the most significant contemporary artists at work today. This engaging memoir reveals her to be a fascinating, maverick figure, channeling her obsessive neuroses into an art that transcends cultural barriers. The decade Kusama spent in New York saw her status change from poverty-stricken artist living in a freezing loft and existing on scraps of food, to doyenne of the counter-cultural art scene. She tells the story of her relationships with key art-world figures, including Georgia O'Keeffe, Donald Judd, Andy Warhol and the reclusive Joseph Cornell, with whom she forged a close bond. In candid terms she describes her childhood and the first appearance of the obsessive visions that have haunted her throughout her life. Returning to Japan and to relative obscurity in the early 1970s, Kusama admitted herself to a psychiatric hospital in Tokyo. It is from this base that she has emerged to add to the seemingly endless stream of artworks and writings that in the past decade have won her international acclaim and seen her the subject of many major exhibitions across the world. This remarkable autobiography, translated by Ralph McCarthy, provides a powerful insight into the mind of a unique artist, haunted by fears and phobias yet determined to maintain her position at the forefront of the artistic avant-garde." -- Publisher's description
Item type: Book
Tags from this library: No tags from this library for this title. Log in to add tags.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Collection Call number Status Barcode
Book Marium Abdulla Library Non-Ref Fine Arts 709.2 KUS (Browse shelf(Opens below)) Available 13564

First published in Japanese as: Mugen no ami : Kusama Yayoi jiden. Tōkyō : Sakuhinsha, 2002.

Includes bibliographical references and index.

To New York: my debut as an avant-garde artist, 1957-1966
Before leaving home: awakening as an artist, 1929-1957
No more war: the queen of peace
Avant-garde performance art for the people, 1967-1974
People I've known, people I've loved: Georgia O'Keeffe, Joseph Cornell, Donald Judd, Andy Warhol, and others
Made in Japan: worldwide Kusamania, 1975-2002

"Yayoi Kusama is one of the most significant contemporary artists at work today. This engaging memoir reveals her to be a fascinating, maverick figure, channeling her obsessive neuroses into an art that transcends cultural barriers. The decade Kusama spent in New York saw her status change from poverty-stricken artist living in a freezing loft and existing on scraps of food, to doyenne of the counter-cultural art scene. She tells the story of her relationships with key art-world figures, including Georgia O'Keeffe, Donald Judd, Andy Warhol and the reclusive Joseph Cornell, with whom she forged a close bond. In candid terms she describes her childhood and the first appearance of the obsessive visions that have haunted her throughout her life. Returning to Japan and to relative obscurity in the early 1970s, Kusama admitted herself to a psychiatric hospital in Tokyo. It is from this base that she has emerged to add to the seemingly endless stream of artworks and writings that in the past decade have won her international acclaim and seen her the subject of many major exhibitions across the world. This remarkable autobiography, translated by Ralph McCarthy, provides a powerful insight into the mind of a unique artist, haunted by fears and phobias yet determined to maintain her position at the forefront of the artistic avant-garde." -- Publisher's description

Text in English. Translated from Japanese

There are no comments on this title.

to post a comment.