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The saga of Sadequain / Salman Ahmad.

By: Contributor(s): Material type: TextTextPublication details: San Diego : Sadequain Foundation, 2012.Description: 2 v. : ill. (chiefly col.) ; 32 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 1466222131
  • 9781466222137
  • 1468009311
  • 9781468009316
Other title:
  • Sadequain
Subject(s): Genre/Form: DDC classification:
  • 23 759.95491 SAL 11425
LOC classification:
  • ND1010.73.S23 A83 2012
Contents:
v. 1. Biography -- v. 2. Galerie.
Summary: This book is an attempt to honor Sadequain's unfulfilled desire to pen his autobiography. It synthesizes Sadequain's life and analyzes his work, which has not been done to this extent in the past. It is a celebration of the most intriguing and innovative work of a national icon, who crossed the traditional and predefined boundaries of artistic forms, norms, subjects, objects, shades, dimensions, and every other confinement that he deemed as an obstruction. He did not work under some preplanned marketing plan, but rather allowed his destiny guide him freely toward the peaks of perfection. Compliance was not in his genes. In the process he produced with abundance some of the most magnificent collection of artwork by any measure, rich in content, diverse in nature, grand in scale, and large in numbers. The breadth and depth of Sadequain's palette is so far reaching that it demands serious scholarship to fathom its essence.
Item type: Reference
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Holdings
Item type Current library Collection Call number Status Barcode
Reference Marium Abdulla Library Reference Fine Arts 759.95491 SAL (Browse shelf(Opens below)) Available 11425

v. 1. Biography -- v. 2. Galerie.

This book is an attempt to honor Sadequain's unfulfilled desire to pen his autobiography. It synthesizes Sadequain's life and analyzes his work, which has not been done to this extent in the past. It is a celebration of the most intriguing and innovative work of a national icon, who crossed the traditional and predefined boundaries of artistic forms, norms, subjects, objects, shades, dimensions, and every other confinement that he deemed as an obstruction. He did not work under some preplanned marketing plan, but rather allowed his destiny guide him freely toward the peaks of perfection. Compliance was not in his genes. In the process he produced with abundance some of the most magnificent collection of artwork by any measure, rich in content, diverse in nature, grand in scale, and large in numbers. The breadth and depth of Sadequain's palette is so far reaching that it demands serious scholarship to fathom its essence.

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