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Curatorial activism : towards an ethics of curating / Maura Reilly ; foreword by Lucy R. Lippard.

By: Reilly, Maura [author.]Contributor(s): Lippard, Lucy R [writer of foreword.]Material type: TextTextPublisher: New York : Thames & Hudson, 2018Copyright date: ©2018Description: 240 pages : illustrations (chiefly color) ; 24 cmContent type: text | still image Media type: unmediated Carrier type: volumeISBN: 0500239703; 9780500239704Subject(s): Art and society | Art museums -- Curatorship | Art -- Exhibitions -- Philosophy | Art -- Exhibitions -- Social aspects | Art museum curators | ART / General | Art and Design | Art and society | Art museum curators | Art museums -- Curatorship | Ausstellung | Diskriminierung | Geschlechterforschung | Museum | Museumskunde | Politische Bewegung | Rassismus | Sexismus | Art and DesignDDC classification: 701.03 REI LOC classification: N72.S6 | R44 2018
Contents:
Foreword / Lucy R. Lippard -- Preface -- What is curatorial activism? -- Resisting masculinism and sexism -- Tackling white privilege and Western-centrism -- Challenging heterocentrism and lesbo-homophobia -- A call to arms : strategies for change.
Summary: Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year's Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin's 'Women Artists' at LACMA in the mid-1970s to Jean-Hubert Martin's 'Carambolages' in 2016 at the Grand Palais in Paris. Including interviews with pioneering curators such as Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin, and Nan Goldin, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today's expanding new generation of curators.
List(s) this item appears in: New Arrivals
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"With 107 illustrations."

"Curatorial Activism is a manifesto for change in the art world. Resist masculinism and sexism. Confront white privilege and Western-centrism. Challenge heterocentrism and lesbo-homophobia"--Back cover.

Includes bibliographical references (pages 232-235) and index.

Foreword / Lucy R. Lippard -- Preface -- What is curatorial activism? -- Resisting masculinism and sexism -- Tackling white privilege and Western-centrism -- Challenging heterocentrism and lesbo-homophobia -- A call to arms : strategies for change.

Current art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year's Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin's 'Women Artists' at LACMA in the mid-1970s to Jean-Hubert Martin's 'Carambolages' in 2016 at the Grand Palais in Paris. Including interviews with pioneering curators such as Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin, and Nan Goldin, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today's expanding new generation of curators.

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