Notice rédigée d'après la consultation, 2016-03-15
Titre provenant de la page de titre du document numérisé
Numérisation de l'édition de London : Routledge, [199?]
La pagination de l'édition imprimée correspondante est de : XXVI-94 pages

List of illustrations, General introduction, Introduction to volume II, 1 The concept of the Renaissance, 2 The demand for middle-class and courtly art in the Quattrocento, 3 The social status of the Renaissance artist, 4 The classicism of the Cinquecento, 5 The concept of mannerism, 6 The age of political realism, 7 The second defeat of chivalry, 8 The concept of the baroque, 9 The baroque of the Catholic courts, 10 The baroque of the Protestant bourgeoisie, Index

First published in 1951 Arnold Hauser's commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. Exploring the interaction between art and society, Hauser effectively details social and historical movements and sketches the frameworks in which visual art is produced. This new edition provides an excellent introduction to the work of Arnold Hauser. In his general introduction to The Social History of Art, Jonathan Harris asseses the importance of the work for contemporary art history and visual culture. In addition, an introduction to each volume provides a synopsis of Hauser's narrative and serves as a critical guide to the text, identifying major themes, trends and arguments.