000			02279cam a2200445 a 4500
001			10324
003			OSt
005			20260401153710.0
008			990817s1999 nyu bc 000 0 eng
010			_a 99075321
020			_a0810967022
020			_a9780810967021
035			_a11771498
040			_aDLC _cDLC _dDLC
042			_apcc
050	0	0	_aN7359.M87 _bA4 1999
082	0	0	_a709.221 CRU _221 _b10324
100	1		_aCruz, Amada, _d1961-
245	1	0	_aTakashi Murakami: _bThe Meaning of the Nonsense of the Meaning / _cby Amada Cruz, Midori Matsui, Dana Friis-Hansen.
260			_aNew York : _bCenter for Curatorial Studies Museum, Bard College in association with H.N. Abrams, Publishers _cc1999.
300			_a94 p. : _bcol. ill. ; _c30 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aExhibition held June 27-Sept. 12, 1999 at the Center for Curatorial Studies Museum, Bard College.
504			_aIncludes bibliographical references (p. 90-93).
520			_aA critical exploration of the work of contemporary Japanese artist Takashi Murakami, examining his distinctive “Superflat” style and its engagement with popular culture, consumerism, and traditional Japanese art. The book analyzes Murakami’s blending of fine art and commercial aesthetics, including influences from anime, manga, and mass media. Through essays by leading curators and critics, it discusses themes of identity, globalization, and the re
650			_2Murakami, Takashi, 1962-
650			_2Art, Japanese _y21st century
650			_2Popular culture in art
655		7	_aExhibition catalogs. _2lcgft _0https://id.loc.gov/authorities/genreForms/gf2014026098
700	1		_aMurakami, Takashi, _d1962-
700	1		_aMatsui, Midori.
700	1		_aFriis-Hansen, Dana, _d1961-
710	2		_aBard College. _bCenter for Curatorial Studies. _bMuseum.
906			_a7 _bcbc _corignew _d2 _eopcn _f19 _gy-gencatlg
942			_2ddc _cBK _n0
999			_c10910 _d10910