| 000 | 00941nam a2200241Ia 4500 | ||
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| 003 | OSt | ||
| 005 | 20250721142046.0 | ||
| 008 | 211022s9999 xx 000 0 und d | ||
| 020 | _a9780262532884 | ||
| 040 | _cIVS | ||
| 082 |
_a778.53 CAM _223 _b12944 |
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| 245 | 4 | _aThe cinematic:Documents of contemporary art | |
| 260 | _aCambridge | ||
| 260 | _bMIT Press | ||
| 260 | _c2007 | ||
| 300 | _a221 | ||
| 520 | _aThis reader surveys the rich history of relationships between the moving and the still image in photography and film, tracing their ever-changing dialogue since early modernism. Manifestations of the cinematic in photography and of the photographic in cinema have been a springboard for the work of some of the most influential contemporary artists. | ||
| 650 |
_a art history _vcinema |
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| 650 |
_a visual culture _vphotography |
||
| 650 |
_afilm theory _vtime studio _x gvlibrary |
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| 942 |
_cREF _2ddc _n0 |
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| 999 |
_c11980 _d11980 |
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