| 000 | 01212nam a2200253Ia 4500 | ||
|---|---|---|---|
| 001 | 18046 | ||
| 003 | OSt | ||
| 005 | 20260305131018.0 | ||
| 008 | 211022s9999 xx 000 0 und d | ||
| 020 | _a9786000760403 | ||
| 040 | _cIVS | ||
| 082 |
_a701.17 HOL _223 _b18046 |
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| 100 | _aHolder, Will | ||
| 245 | 0 |
_aF. R David: _bThis is not New of Course _cby Will Holder |
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| 260 | _aAmsterdam | ||
| 260 | _b"De Appel," | ||
| 260 | _c2012 | ||
| 300 | _a237 p. | ||
| 520 | _aIn "This Is Not New, of Course," F. R. David articulates how the creative process is often influenced by past ideas, arguing that much of what is perceived as new is, in fact, a reconfiguration of pre-existing thoughts. The work encourages readers to consider the intertextuality of ideas across different mediums and times, emphasizing that originality is often an illusion. Through various examples from art, literature, and philosophy, David illustrates the layered conversation within creative fields and invites a reassessment of what it means to innovate. | ||
| 650 |
_aArt and Culture _vPhilosophy of Art |
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| 650 |
_aIntertextuality _vInnovation |
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| 650 |
_aHistorical Context _vCritical Analysis |
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| 942 |
_cBK _2ddc _n0 |
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| 999 |
_c12392 _d12392 |
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