000			03430nam a2200253Ia 4500
001			11023
003			OSt
005			20251107115241.0
008			211022s9999 xx 000 0 und d
020			_a9780789209375
040			_cIVS
082			_a770.9 ROS _223 _b11023
100			_aRosenblum, Naomi
245		2	_aA world history of photography
260			_aNew York
260			_c2007
300			_a712
505			_a The early years : technology, vision, users 1839-1875 A Plenitude of Portraits 1839-1890. The galerie contemporaine : appearance and character in 19th-century portraiture Documentation : Landscape and Architecture 1839-1890. The western landscape : natural and fabricated Documentation : Objects and Events 1839-1890. A short technical history : Part I A 19th-century forerunner of photojournalism : the execution of the Lincoln conspirators Photography and Art : The First Phase 1839-1890 New Technology, New Vision, New Users 1875-1925. The origins of color in camera images Art Photography : Another Aspect 1890-1920 Documentation : The Social Scene to 1945. Illuminating injustice : the camera and social issues Art, photography, and modernism 1920-1945. A short technical history : Part II The machine : icons of the industrial ethos Words and Pictures : Photographs in Print Media 1920-1980 Photography Since 1950 : The Straight Image Photography Since 1950 : Manipulations and Color Navigating New Seas: Photography at the Start of the 21st century / by Diana C. Stoll. A short technical history : Part III
520			_aFrom the camera lucida to the latest in digital image making and computer manipulation, photographic technology has dramatically changed throughout its nearly 200-year history, as succinctly explained and powerfully illustrated inA World History of Photography. Thanks to the unique immediacy with which photography captures perspective and history, the popularity and use of the camera spread rapidly around the globe. Today, photography is ubiquitous: from newspapers and fashion magazines to billboards and the film industry, cultures worldwide have embraced this malleable artistic medium for a limitless variety of purposes. Naomi Rosenblum's classic text investigates all aspects of photography -- aesthetic, documentary, commercial, and technical -- while placing photos in their historical context. Included among the more than 800 photographs by men and women are both little-known and celebrated masterpieces, arranged in stimulating juxtapositions that illuminate their visual power. Authoritative and unbiased, Rosenblum's chronicle of photography both chronologically and thematically traces the evolution of this still-young art form. Exploring the diverse roles that photography has played in the communication of ideas, Rosenblum devotes special attention to topics such as portraiture, documentation, advertising, and photojournalism, and to the camera as a means of personal artistic expression. The revised fourth edition includes updates on technical advances as well as a new chapter on contemporary photographers. Armed with the expressive vigor of its images, this thorough and accessible volume will appeal to all--Publisher's description
650			_aIllustrated works _vPhotography _xHistory
650			_aInformational works _vLandscapes and architecture _xTechnology
650			_aworld history _vpotraits
942			_cREF _2ddc _n0
999			_c12558 _d12558