000			03555cam a22005055a 4500
001			13564
003			OSt
005			20260407133144.0
008			111012s2011 enka b 000 0aeng d
010			_a 2011535334
016	7		_a015772469 _2Uk
020			_a9781849762137
035			_a17078675
035			_a(OCoLC)738374409
040			_aBTCTA _beng _cBTCTA _dERASA _dUKMGB _dYDXCP _dBWK _dNLE _dCDX _dIOG _dZCU _dPIT _dDLC
041	1		_aeng _hjpn
042			_alccopycat
043			_aa-ja--- _an-us---
050	0	0	_aN6537.K878 _bA213 2011
082	0	4	_a709.2 KUS _222 _b13564
100	1		_aKusama, Yayoi.
240	1	0	_aMugen no ami : Kusama Yayoi jiden. _lEnglish.
245	1	0	_aInfinity Net: _bThe Autobiography of Yayoi Kusama/ _cby Yayoi Kusama and translated by Ralph McCarthy.
250			_aReprinted in 2017
260			_aLondon : _bTate, Publishing _c2017.
300			_a239 p. : _bill. ; _c25 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aFirst published in Japanese as: Mugen no ami : Kusama Yayoi jiden. Tōkyō : Sakuhinsha, 2002.
502			_aIncludes bibliographical references and index.
505			_aTo New York: my debut as an avant-garde artist, 1957-1966 Before leaving home: awakening as an artist, 1929-1957 No more war: the queen of peace Avant-garde performance art for the people, 1967-1974 People I've known, people I've loved: Georgia O'Keeffe, Joseph Cornell, Donald Judd, Andy Warhol, and others Made in Japan: worldwide Kusamania, 1975-2002
520			_a"Yayoi Kusama is one of the most significant contemporary artists at work today. This engaging memoir reveals her to be a fascinating, maverick figure, channeling her obsessive neuroses into an art that transcends cultural barriers. The decade Kusama spent in New York saw her status change from poverty-stricken artist living in a freezing loft and existing on scraps of food, to doyenne of the counter-cultural art scene. She tells the story of her relationships with key art-world figures, including Georgia O'Keeffe, Donald Judd, Andy Warhol and the reclusive Joseph Cornell, with whom she forged a close bond. In candid terms she describes her childhood and the first appearance of the obsessive visions that have haunted her throughout her life. Returning to Japan and to relative obscurity in the early 1970s, Kusama admitted herself to a psychiatric hospital in Tokyo. It is from this base that she has emerged to add to the seemingly endless stream of artworks and writings that in the past decade have won her international acclaim and seen her the subject of many major exhibitions across the world. This remarkable autobiography, translated by Ralph McCarthy, provides a powerful insight into the mind of a unique artist, haunted by fears and phobias yet determined to maintain her position at the forefront of the artistic avant-garde." _b-- Publisher's description
546			_aText in English. Translated from Japanese
650		0	_aWomen artists _zJapan _vBiography.
650		0	_a self marketing
650		0	_abody painting
650		0	_aArtists _zUnited States _vBiography.
655		7	_aBiographies. _2lcgft _0https://id.loc.gov/authorities/genreForms/gf2014026049
700	1		_aMcCarthy, Ralph F.
906			_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg
942			_2ddc _cBK _n0
999			_c13308 _d13308