000			01184nam a2200253Ia 4500
001			11367
003			OSt
005			20250731154034.0
008			211022s9999 xx 000 0 und d
040			_cIVS
082			_a709 KHA _223 _b11367
100			_aKhan, Nazia H.
245		0	_aNaiza Khan
260			_aHong Kong
260			_bArtAsiaPacifc Holdings
260			_c2013
300			_a175
520			_aAlthough the multidimensional quality and slow, at times errant, unfolding of Naiza Khan’s work, along with her unfashionable insistence on “the importance of gesture [with] a certain level of randomness,” [2] creates a sense of being out-of-time, or at least of standing on the edge, outside the current concerns of either daily life or the art world. Actually, her choice of the city of Karachi (and the small island of Manora, just off its coast), as subjects for her work is far from peripheral and very much engaged with the world around around her. The stories of both places, developed
650			_acontemporary art _zPakistan
650			_aArtists Pakistan Exhibitions
650			_aArt work
650			_aEssays and interviews
942			_cBK _2ddc _n0
999			_c13420 _d13420