000			02827nam a22003495i 4500
001			20532
003			IVS
005			20250722092259.0
008			180604s2018 nyu 000 0 eng
010			_a 2018906606
020			_a9781941701898 (softcover)
040			_aDLC _beng _erda _cDLC
042			_apcc
082			_a701.18 EAR _b20532 _223
100	1		_aEarnest, Jarrett.
245	1	0	_aWhat it means to write about art : interviews with art critics _b
260			_aNew York, NY : _bDavid Zwirner Books, _c2018.
263			_a1810
300			_a557 pages cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	0		_aEkphrasis
505			_a Hilton Als John Ashbery Bill Berkson Yve-Alain Bois Huey Copeland Holland Cotter Douglas Crimp Darby English Hal Foster Michael Fried Thyrza Nichols Goodeve Dave Hickey Siri Hustvedt Kellie Jones Chris Kraus Rosalind Krauss Lucy Lippard Fred Moten Eileen Myles Molly Nesbit Jed Perl Barbara Rose Jerry Saltz Peter Schjeldahl Barry Schwabsky Paul Chaat Smith Roberta Smith Lynne Tillman Michele Wallace John Yau
520			_aIn the last 50 years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines and online, and has become the subject of debate by readers, writers and artists worldwide. Equal parts oral history and analysis of craft, What it Means to Write About Art offers an unprecedented overview of American art writing. Jarrett Earnest's wide-ranging conversations with critics, historians, journalists, novelists, poets and theorists each of whom approaches the subject from a unique position illustrate different ways of writing, thinking and looking at art. These in-depth conversations about writing and art are situated within individual life experiences: for instance John Ashbery recalls finding Rimbaud's poetry through his first crush at 16; Rosalind Krauss remembers stealing the design of October from Massimo Vignelli; Paul Chaat Smith details his early days with Jimmie Durham in the American Indian Movement; Dave Hickey talks about writing country songs with Waylon Jennings; Michele Wallace relives her late-night and early-morning interviews with James Baldwin; Lucy Lippard describes confronting Clement Greenberg at a lecture; Eileen Myles asserts her belief that her negative review incited the Women's Action Coalition; and Fred Moten recounts falling in love with Renoir while at Harvard
650			_aArt and Design _voral history
650			_aArt criticism _vInterviews _y21st century
650			_aCrafting Writing
906			_a0 _bibc _corignew _d2 _eepcn _f20 _gy-gencatlg
942			_2ddc _cBK _n0
999			_c14175 _d14175