000 | 04848cam a2200409 i 4500 | ||
---|---|---|---|
001 | 22692278 | ||
003 | IVS | ||
005 | 20250626031040.0 | ||
008 | 220713s2023 waua b 001 0 eng | ||
010 | _a 2022015173 | ||
020 |
_a9780295751115 _q(hardback) |
||
020 |
_z9780295751108 _q(ebook) |
||
040 |
_aDLC _beng _erda _cDLC _dDLC |
||
042 | _apcc | ||
043 | _aaz----- | ||
050 | 0 | 0 |
_aZ1023 _b.O43 2023 |
082 | 0 | 0 |
_a096.109 SON _223/eng/20220715 _b21560 |
100 | _aSonal Khullar. | ||
245 | 0 | 0 |
_aOld stacks, new leaves : _bthe arts of the book in South Asia / _cedited by Sonal Khullar. |
246 | 3 | 0 | _aArts of the book in South Asia |
264 | 1 |
_aSeattle : _bUniversity of Washington Press, _c[2023] |
|
300 |
_axiii, 313 pages : _billustrations (chiefly color) ; _c26 cm |
||
336 |
_atext _btxt _2rdacontent |
||
336 |
_astill image _bsti _2rdacontent |
||
337 |
_aunmediated _bn _2rdamedia |
||
338 |
_avolume _bnc _2rdacarrier |
||
504 | _aIncludes bibliographical references (pages 279-300) and index. | ||
505 | 0 | _aLove in the Stacks / Sonal Khullar -- A Book and the Goddess: The Devimahatmya from Palm Leaf to Paper / Jinah Kim -- Artist Project 1: The Travels of a King / T. Shanaathanan -- Clothing the Book: Texts, Textiles, and an Ethics of Care / Sylvia Houghteling -- Meaning in the Margins: Kannada Captions in a Deccani Sindbadnama / Laura Weinstein -- Artist Project 2: After the Plague / Parismita Singh -- Books That Bind: The Persianate Album and its Widespread Circulation / Yael Rice -- Migrations of Media: Photographic Albums, Prints, and Wall Paintings / Holly Shaffer -- Artist Project 3: Queen Victoria's Favorite Soup / Naila Mahmood -- Lithographic Assemblages: The Urdu Art Book in the Age of Print / Iftikhar Dadi -- Books and the Matter of Art: Notes on Materiality, Dematerialization, and Value / Sonal Khullar -- Artist Project 4: Tasavvur (Imagination) / Iftikhar Dadi and Elizabeth Dadi -- Quink on My Hands / Arvind Krishna Mehrotra -- In My Father's Trunk / Anand A. Yang. | |
520 |
_a"In the twenty-first century, debates on the history and future of the book and print culture have intensified with the rise of digital technologies, and the contemporary art world has witnessed an explosion of interest in the book form. Amid this burst of artistic and cultural activity, there has been little scrutiny of book arts in South Asia, and their peculiar ontologies, histories, and genealogies. Why has the book form been a crucial medium for the visual arts? How do we theorize this form in a region where orality is valued, literacy remains low, printing was adopted relatively late, and books are venerated in homes and places of worship? What is the relationship of books to calligraphy, manuscripts, and paintings? In devotional contexts and outside of them, the book-like painting-was and is a catalyst for history and memory, and subject to reading, recitation, reiteration, and revision. This volume addresses the role of art books and book arts by contrast to existing scholarship on book history in South Asia, which has focused on textuality, the printing press, nation-state, modern city, and print capitalism. It traces a history of illustrated books in South Asia from 1100 C.E. to the present, emphasizing their visual, material, aesthetic, and phenomenological dimensions, and showing how the book is a living form and practice, arguing against the death of books in a digital age. Contributors highlight aspects of the book from the medieval through modern periods in South Asia, considering its visual, material, aesthetic, and phenomenological dimensions and identifying particular uses of the book in relation to the muraqqa (album), pat chitra (scroll), bhandar (storehouse), and kalam (pen, style, school). Collectively, they bring together recent developments in art history, literary studies, anthropology, and history to present the book as practice and process rather than thing: a dynamic form, network, and method. Against narratives of the death of books in a digital age, this volume argues for the book as a vital form and dynamic practice. Written in a lucid and lively style, it will be of interest to scholars, curators, artists, critics, undergraduate students, museum visitors, and readers of contemporary graphic novels and comic books"-- _cProvided by publisher. |
||
650 | 0 |
_aIllustrated books _zSouth Asia _xHistory. |
|
650 | 0 |
_aBooks _zSouth Asia _xHistory. |
|
700 | 1 |
_aKhullar, Sonal, _d1978- _eeditor. |
|
776 | 0 | 8 |
_iOnline version: _tOld stacks, new leaves _dSeattle : University of Washington Press, [2022] _z9780295751108 _w(DLC) 2022015174 |
906 |
_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg |
||
942 |
_2ddc _cREF _n0 |
||
999 |
_c15224 _d15224 |