000			03163cam a22004578i 4500
001			21025
003			IVS
005			20230227140217.0
008			200506s2020 wau b 001 0 eng
010			_a 2020013711
020			_a9780295747842 _q(hardcover)
020			_a9780295747859 _q(paperback)
020			_z9780295747866 _q(ebook)
040			_aDLC _beng _erda _cDLC
042			_apcc
043			_aaz-----
050	0	0	_aPN1993.5.S64 _bS67 2021
082	0	0	_a791.43 CHO _223 _b21025
245	0	0	_aSouth Asian filmscapes : _btransregional encounters / _cedited by Elora Halim Chowdhury and Esha Niyogi De.
263			_a1111
264		1	_aPakistan : _bUniversity of Washington Press, _c2020.
300			_ax, 302 pages;
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"This volume, the inaugural publication of the South Asian Regional Media Scholars Network (SARMSNet)" --Text.
504			_aIncludes bibliographical references and index.
520			_a"According Esha De and Elora Chowdhury, the legacies of industrial and independent cinemas in the subcontinent of South Asia reveal an intertwining of South Asian histories that show geopolitical and social boundaries to be both porous and hybrid. On the one hand, cinematic portrayals encode the effects of the massive geopolitical rifts born in postcolonial south Asia of religious, linguistic, and ethnic conflicts--the primary being the India-Pakistan Partition (1947) and the Bangladesh Liberation War (1971). Practices and policies of cinema in the nation-states (India, Pakistan, Bangladesh) likewise reinforce prevailing hierarches of identity and belonging. On the other hand, the combined histories of cinema and sociality in the South Asian region are replete with cross fertilization the effects of which lingered on well past the Partition of India and Pakistan and the birth of Bangladesh. The essays in this volume reveal ways in which fixed notions of national identity have been destabilized by the cross-border mobility of filmed arts and practitioners across South Asia and interrogate how filmic politics intersect with discourses around nationalism, sexuality and gender, religion, and language"-- _cProvided by publisher.
650		0	_aMotion pictures _zSouth Asia _xHistory _y20th century _vCongresses.
650		0	_aMotion pictures _zSouth Asia _xHistory _y21st century _vCongresses.
650		0	_aMotion picture industry _zSouth Asia _xHistory _y20th century _vCongresses.
650		0	_aMotion picture industry _zSouth Asia _xHistory _y21st century _vCongresses.
650		0	_aNational characteristics in motion pictures _vCongresses.
700	1		_aChowdhury, Elora Halim, _eeditor.
700	1		_aDe, Esha Niyogi, _eeditor.
710	2		_aSouth Asian Regional Media Scholars Network.
776	0	8	_iOnline version: _tSouth Asian filmscapes _dSeattle : University of Washington Press, 2020. _z9780295747866 _w(DLC) 2020013712
906			_a0 _bvip _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2ddc _cBK
999			_c16663 _d16663