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008			170612t20182018nyua b 001 0 eng d
010			_a 2017945427
020			_a0500239703 _q(hardback)
020			_a9780500239704 _q(hardback)
024	8		_a99976502754
035			_a(OCoLC)ocn992571921
037			_a14662269
040			_aYDX _beng _cYDX _erda _dUAB _dCHVBK _dOCLCO _dTOH _dEZ9 _dTYC _dDPL _dIAY _dFSJ _dHTM _dCAD _dVP@ _dPMC _dZYU _dOCLCA _dOCLCF _dUKTTE _dUKOBU _dDLC
042			_alccopycat
050	0	0	_aN72.S6 _bR44 2018
080			_a069.53 REI
082	0	4	_a701.03 REI _223 _b21419
100	1		_aReilly, Maura, _eauthor.
245	1	0	_aCuratorial activism : _btowards an ethics of curating / _cMaura Reilly ; foreword by Lucy R. Lippard.
264		1	_aNew York : _bThames & Hudson, _c2018.
264		4	_c©2018
300			_a240 pages : _billustrations (chiefly color) ; _c24 cm
336			_atext _btxt _2rdacontent
336			_astill image _bsti _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"With 107 illustrations."
500			_a"Curatorial Activism is a manifesto for change in the art world. Resist masculinism and sexism. Confront white privilege and Western-centrism. Challenge heterocentrism and lesbo-homophobia"--Back cover.
504			_aIncludes bibliographical references (pages 232-235) and index.
505	0		_aForeword / Lucy R. Lippard -- Preface -- What is curatorial activism? -- Resisting masculinism and sexism -- Tackling white privilege and Western-centrism -- Challenging heterocentrism and lesbo-homophobia -- A call to arms : strategies for change.
520	8		_aCurrent art world statistics demonstrate that the fight for gender and race equality in the art world is far from over: only sixteen percent of this year's Venice Biennale artists were female; only fourteen percent of the work displayed at MoMA in 2016 was by nonwhite artists; only a third of artists represented by U.S. galleries are female, but over two-thirds of students enrolled in art and art-history programs are young women. Arranged in thematic sections focusing on feminism, race, and sexuality, Curatorial Activism examines and illustrates pioneering examples of exhibitions that have broken down boundaries and demonstrated that new approaches are possible, from Linda Nochlin's 'Women Artists' at LACMA in the mid-1970s to Jean-Hubert Martin's 'Carambolages' in 2016 at the Grand Palais in Paris. Including interviews with pioneering curators such as Okwui Enwezor, Linda Nochlin, Jean-Hubert Martin, and Nan Goldin, this volume is both an invaluable source of practical information for those who understand that institutions must be a driving force in this area and a vital source of inspiration for today's expanding new generation of curators.
650		0	_aArt and society.
650		0	_aArt museums _xCuratorship.
650		0	_aArt _xExhibitions _xPhilosophy.
650		0	_aArt _xExhibitions _xSocial aspects.
650		0	_aArt museum curators.
650		7	_aART / General. _2bisacsh
650		7	_aArt and Design. _2eflch
650		7	_aArt and society. _2fast _0(OCoLC)fst00815432
650		7	_aArt museum curators. _2fast _0(OCoLC)fst00815624
650		7	_aArt museums _xCuratorship. _2fast _0(OCoLC)fst01940967
650		7	_aAusstellung _2gnd
650		7	_aDiskriminierung _2gnd
650		7	_aGeschlechterforschung _2gnd
650		7	_aMuseum _2gnd
650		7	_aMuseumskunde _2gnd
650		7	_aPolitische Bewegung _2gnd
650		7	_aRassismus _2gnd
650		7	_aSexismus _2gnd
650		7	_aArt and Design. _2ukslc
700	1		_aLippard, Lucy R., _ewriter of foreword.
906			_a7 _bcbc _ccopycat _d2 _eepcn _f20 _gy-gencatlg
942			_2ddc _cBK
999			_c17077 _d17077