| 000 | 02581cam a2200409 i 4500 | ||
|---|---|---|---|
| 001 | 2134 | ||
| 003 | OSt | ||
| 005 | 20250805144000.0 | ||
| 008 | 770728s1978 nyua b 001 0 eng | ||
| 010 | _a 77082357 | ||
| 020 | _a0064385051 | ||
| 020 | _a9780064385053 | ||
| 035 | _a2722828 | ||
| 040 |
_aDLC _cDLC _dDLC |
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| 043 |
_an-us--- _an-us-ny |
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| 050 | 0 | 0 |
_aN6512.5.N4 _bS26 1978 |
| 082 | 0 | 0 |
_a709.7471 SAN _223 _b2134 |
| 100 | 1 |
_aSandler, Irving, _d1925-2018. |
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| 245 | 1 | 4 |
_aThe New York School : _bthe painters and sculptors of the fifties / _cby Irving Sandler. |
| 250 | _a1st ed. | ||
| 260 |
_aNew York : _bHarper & Row, _cc1978. |
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| 300 |
_axi, 366 p. : _bill. ; _c26 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 0 | _aIcon editions | |
| 500 | _aIncludes index. | ||
| 504 | _aBibliography: p. [326]-344. | ||
| 520 | _aFROM 1947 TO 1951, more than a dozen Abstract Expressionists achieved "breakthroughs" to independent styles. 1 During the following years, these painters, the first generation of the New York School, received growing recognition nationally and globally, to the extent that American vanguard art came to be considered the primary source of creative ideas and energies in the world, and a few masters, notably Pollock, de Kooning, and Rothko, were elevated to art history's pantheon. Younger artists who entered their circle in the early fifties-the early wave of the second generation-such as Larry Rivers, Helen Frankenthaler, Grace Hartigan, Allan Kaprow, Joan Mitchell, Robert Rauschenberg, and Richard Stankiewicz (to list some of the better known), were also acclaimed, but with a few exceptions, their reputations had gone into decline by the end of the fifties. In the following decade, the second generation was eclipsed by a third generation, the innovators of Pop, Op, Minimal, and Conceptual Art. (Any notion of a generation of artists is necessarily arbitrary, of course. The term "generation," as it is used here, refers to a group of artists close in age who live in the same neighborhood at the same time, and to a greater or lesser degree, know each other and partake of a similar sensibility, a shared outlook and aesthetic.) | ||
| 650 | 0 | _aNew York school of art. | |
| 650 | 0 |
_aArt, American _y20th century. |
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| 650 | 0 | _aabstract expressionism | |
| 650 | 0 | _aCollection Artist | |
| 906 |
_a7 _bcbc _corignew _d1 _eopcn _f19 _gy-gencatlg |
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| 942 |
_2ddc _cBK _n0 |
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| 999 |
_c1835 _d1835 |
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