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| 001 | 6844 | ||
| 003 | OSt | ||
| 005 | 20260304120409.0 | ||
| 008 | 211022s9999 xx 000 0 und d | ||
| 020 | _a0691019614 | ||
| 040 | _cIVS | ||
| 082 |
_a701.17 GAS _223 _b6844 |
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| 100 | _aGasset, Jose Ortega Y | ||
| 245 | 4 |
_aThe Dehumanization of Art: _bAnd Other Essays on Art, Culture, and Literature _cby Jose Ortega Y Gasset |
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| 260 | _aPrinceton | ||
| 260 | _bPrinceton University Press | ||
| 260 | _c1972 | ||
| 300 |
_a204 pages _c 5 x 0.5 x 8 inches |
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| 520 | _aA classic work on radical aesthetics by one of the great philosophers of the early twentieth century No work of philosopher and essayist José Ortega y Gasset has been more frequently cited, admired, or criticized than his response to modernism, "The Dehumanization of Art." The essay, originally published in Spanish in 1925, grappled with the newness of nonrepresentational art and sought to make it more understandable to the public. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting efforts to abandon the realism and the romanticism of the nineteenth century. Others took it as a denunciation of everything that was radical about the avant-garde. This Princeton Classics edition makes this essential work, along with four of Ortega's other critical essays, available in English. A new foreword by Anthony J. Cascardi considers how Ortega's philosophy remains relevant and significant in the twenty-first century | ||
| 650 |
_a LITERARY CRITICISM _vphilosophy _zEuropean |
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| 650 |
_aSpanish literature _vCriticism & Theory _xAesthetics  |
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| 650 |
_aCulture _vDehumanization _xArt |
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| 942 |
_cBK _2ddc _n0 |
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| 999 |
_c7017 _d7017 |
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