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008			961122s1958 enkacf 000 0 eng
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040			_aDLC _cCarP _dDLC
050	0	0	_aN5300 _b.B393
082			_223 _a709 BAZ _b4699
100	1		_aBazin, Germain.
245	1	2	_aA concise history of art.
260			_aLondon, _bThames and Hudson _c[1958]
300			_a548 p. _billus., col. plates, ports. (part col.) _c22 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
520			_aBazin begins with prehistoric art, highlighting cave paintings and early human sculptures, illustrating the fundamental relationship between art and the human experience. As the narrative progresses, he examines ancient civilizations such as Mesopotamia, Egypt, Greece, and Rome, where art began to reflect societal structures, religious beliefs, and advancements in technology. The book then transitions into the Middle Ages, discussing how art was primarily influenced by the Church, leading to the development of Byzantine art and the Gothic cathedrals. With the Renaissance, Bazin explores a rebirth of classical ideals, focusing on iconic figures like Leonardo da Vinci and Michelangelo, and how they redefined artistic techniques and themes. Moving into the Baroque period, the book covers the emotional depth and dynamism of art, showcasing artists such as Caravaggio and Rembrandt. The journey continues through the Enlightenment, Romanticism, and into modern art movements like Impressionism, Cubism, and Surrealism, noting the break from traditional forms and the rise of expression and abstraction. Bazin concludes by examining contemporary art, addressing current trends and questioning the role of art in society today, emphasizing the ongoing dialogue between art and culture.
650		0	_aArt _xHistory.
650		0	_aPrehistoric Art
650		0	_aAncient Civilizations
650		0	_aIconic Artists
906			_a0 _bcbc _cpremunv _du _encip _f19 _gy-gencatlg
942			_2ddc _cBK _n0
999			_c7409 _d7409